#29

記憶空間的觀看方式

江梓瑜

主標題:記憶空間的觀看方式 副標題:台中公園的轉型 基地:台中公園 學生姓名:江梓瑜 指導老師:戴福君 台中公園舊時代的空間型態完整保留到現代,空間中因不同時代產物堆積,使得物與物之間原本相連的空間型態因彼此獨立性格而格格不入,區與區之間形成尷尬地帶,且與周遭環境機能亦不相容,使得公園周圍即便有大量的人群據點,人流依然繞過公園活動,公園因而形成「失落空間」。 而曾經是台中重要休閒場所的湖心亭,作為台中市府徽,卻是漸漸被年輕人遺忘的歷史場所,但是透過對附近環境的觀察發現,周邊的商圈是青少年常去的據點,因此,我希望透過在公園裡代入青少年喜好的休閒活動,利用打卡行為與建築皮層的相互關係之設計手法,吸引青少年重新靠近湖心亭,使象徵台中歷史記憶的湖心亭與青少年再次產生互動與連結,藉此讓年輕一代的人可以重新感受台中的記憶,以及不忘台中府徽的意義。 The spatial pattern of Taichung Park in the old era has been completely preserved to the present day. Due to the accumulation of products from different eras in the space, the space pattern originally connected between objects is incompatible with each other due to their independent characters, forming awkward areas between districts. It is also incompatible with the functions of the surrounding environment, so that even if there are a large number of people around the park, the flow of people still bypasses the park for activities, thus forming a “lost space” in the park. The Huxin Pavilion, which used to be an important leisure place in Taichung, as the emblem of Taichung City, is a historical place that has gradually been forgotten by young people. , I hope that by substituting the youth’s favorite leisure activities in the park, and using the design method of the relationship between punch-in behavior and architectural cortex, I hope to attract young people to approach the Huxin Pavilion again, so that the Huxin Pavilion, which symbolizes Taichung’s historical memory, will interact with the youth again. Connect, so that the younger generation can relive the memories of Taichung and remember the meaning of Taichung’s emblem.