#23

日常劇場

林玉璿

主標題:日常劇場 副標題:城市中的多元性開放空間 基地:宜蘭市中山公園 學生姓名:林玉璿 指導老師:單世瑄 日常劇場,想打造都市中的多元性開放空間,宜蘭的舊城作為宜蘭最早期開發的區域,沿襲了百年的商業使用,整座城市彷彿只為了交易而存在,所以當中山公園的出現,使得這座城市有了屬於非商業空間的第一片綠地,早期的中山公園對於市民來說是一個逛完菜市場休息的地方,是可以在樹下聽傳統戲曲的場所,是閒暇時間可以在此聚集的場域,但隨著時間的變化,我觀察到如今的中山公園產生的問題。 首先,我想將這個阻擋視線及動線的商業空間重新規劃,我想利用早期在此處舊有城牆和城門的特性將這個快被遺忘的歷史以新的設計方式置放於此。 而在演繹的部分,演藝廳的存在固然必要,但是隨著演藝廳的出現,戶外歌仔戲的部分越來越少,我認為演繹行為不只存在於演藝廳,而是讓表演這件事更加開闊。 Daily Theatre, to create a diverse and open space in the city, the old city of Yilan, as the earliest developed area in Yilan, has followed a century of commercial use. The whole city seems to exist only for transactions, so the emergence of Zhongshan Park has made the city With the first green space belonging to noncommercial space.In the early days, Zhongshan Park was a place for citizens to rest after visiting the vegetable market, a place where they could listen to traditional opera under the trees, and a place where they could gather in their spare time. Problems arising from Zhongshan Park. First, I want to re-plan this commercial space that blocks sight and circulation. I want to use the characteristics of the old city walls and city gates here in the early days to place this almost forgotten history here in a new design. Secondly, in terms of performance, the existence of performance halls is of course necessary, but with the emergence of performance halls, the number of outdoor operas is less and less. I think the act of acting doesn’t just exist in the performance hall, it’s what makes the performance more important open.